Christos in Germany

Christos Tsirogiannis has identified four objects in the forthcoming Gorny & Mosch auction to be held in Munich on 14 December 2016 that appear in the confiscated image archives of Robin Symes and Gianfranco Becchina. They are:

 

lot-19-symes

 

Lot 19. An Etruscan bronze figure of a youth (mid-fifth-century BC). Provenance: R.G. collection Germany; Royal-Athena Galleries, New York, catalogue 21, 2010; Sotheby’s London, 13 July 1981, lot 341.

Christos first recognised this figure in the Symes archive back in January 2011, when it was on offer at Royal-Athena Galleries, though clearly no action was taken by the relevant authorities as it has now reappeared on the market. David Gill has more to say about the figure’s provenance, showing among other things that it had been offered previously by Royal-Athena Galleries in 1985.

 

lot-87-in-becchina

Lot 87. An Apulian red-figure situla of the Lycurgus Painter (360–350 BC). Provenance: James Stirt collection, Vevey, Switzerland, acquired 1997 from Heidi Vollmöller, Zurich.

This piece appears covered with soil and salt encrustations on a Becchina image, alongside other objects in the same condition. A handwritten note indicates that the images were sent from Raffaele Montichelli, a convicted antiquities trafficker, to Becchina on 18 March 1988.

 

lot-88-in-becchina

Lot 88. An Apulian red-figure bell-krater of the Dechter Painter (350–340 BC). Provenance: Antike Kunst Palladion gallery, Basel; Borowzova collection, Binnigen, Switzerland, acquired 1976 from Elie Borowski, Basel.

Antike Kunst Palladion was Becchina’s gallery in Basel. The krater appears on an image from the Becchina archive looking freshly excavated with soil and salt encrustations. The date printed on the image reads ‘APR 4 ’89’ (4 April 1989), raising questions about the alleged ownership of Elie Borowski 13 years earlier in 1976. The Gorny & Mosch provenance also notes that the krater was attributed to the Dechter Painter by A.D. Trendall.

 

lot-127-in-becchina

Lot 127. A Gnathia ware squat alabastron with the bust of a winged woman with sakkos, and said to be from the White Sakkos Painter (Apulia, 320–310 BC). Provenance: Christie´s London, 15 April 2015, lot 113; Hans Humbel collection, Switzerland, acquired from the Galerie Arete, Zürich in the early 1990s.

This alabastron appears on an image sent to Becchina by Raffaele Montichelli, alongside several other objects, dating to 24 September 1988. Christos previously identified this alabastron a year and a half ago as one of two vases comprising lot 113 in the Christie’s London 15 April 2015 sale. The alabastron was one of four identifications made by Christos in the Christie’s sale and subsequently withdrawn. Lynda Albertson adds that the provenance provided in the 2015 Christie’s catalogue entry states that the piece had been acquired by the consignor from the Petit Musée, Montreal, in 1998.

 

Lynda Albertson has also very helpfully provided a German-language description of the material.